ORDINARY CREATIVES WIN

Sometimes when ordinary things are energized, they turn out to win extraordinary attention and hit on positive emotional nerve notes that catch attention and get people talking. The case is the same for creativity in advertising too. Sophistication is good, and has its place in creative works; but when ordinary creative thoughts are put on steroids, they evoke amazing results.

That is exactly the advice of Film Craft Lions Jury President Prasoon Pandey, Ad Film Maker at Corcoise Films, at Cannes Lions 2024. At the 2024 Cannes Lions Festival of Creativity, seven (7) Lions winners used very mundane concepts and injected creativity into them, and that made them become outstanding. These seven include laxative brands, concrete companies and car insurers.

Could it Be That Easy?

Oh yes, it could!! The Hexal laxative brand, for instance, cleverly tackled the discomfort of constipation by employing a humorous approach. Through a collection of clever radio commercials, the brand utilized humorous nature-based euphemisms, and a narration style reminiscent of David Attenborough, to effectively address the issue. This demonstrated the power of humor in drawing attention to a particular product advantage.

AAG’s Observation from the 2024 Cannes Lions Festival of Creativity

Advertsing Association of Ghana.

 

 

Strictly After Hours an EP by Innova DDB Ghana

Innova DDB Ghana has been working on a musical project for some years now and finally we are here with “Strictly After Hours” and EP.

The project is called Strictly After Hours, which reflects the relaxing vibe of the songs, perfect for unwinding after a long day of work. The name is particularly fitting since the project was created outside of regular working hours, as a side project beyond our usual agency tasks.

The rationale was to be the first Ghanaian advertising agency to put out a music project because there was a realization of having talents in the workplace that are in this sphere.

Just so you Know: Social Media Platforms that Cater to Hobbies Gain Popularity

Social Media Audiences & Strategy

Niche social media platforms and apps that cater to hobbies and smaller communities are seeing a jump in active users as more and more people seek a smaller internet experience than the likes of Facebook and Instagram can provide.

What’s going on?

According to Bloomberg – which quotes figures from market intelligence firm Sensor Tower – there has been a notable rise in how many people have subscribed to hobby-based platforms such as Letterboxd (for movie enthusiasts); Strava (fitness and running app); and All Trails (a hiking app). These platforms have seen a rise in active users in the last year of 55%, 20%, and 10% respectively.

Speaking to Bloomberg earlier this year, Michael Martin, CEO of Strava, said growth rates are 2x in countries like the UK and France. Letterboxd, meanwhile, had over 14 million users this year, up from 1.8m in 2020, according to the company.

Martin, from Strava, ascribes some of this trend to people getting “tired” of traditional social media networks such as Facebook. He told Bloomberg that he sees signs in the data that people are seeking “real connections”.

Small communities, new opportunities!

Some see big social media platforms catering more to creators than regular users. Julia Alexander, a former reporter at The Verge who now blogs at Posting Nexus, argues that people want connection but big tech firms want scale, as this drives advertising and profits. As a result, people are posting less on social media, pushed out by professional creators and frustrated that their feed no longer is about their friends.

And it’s a trend seen at Creator Ventures, an investor in internet technology. Managing partner and co-founder Sasha Kaletsky told Fortune that social media networks are increasingly “distribution platforms rather than follower platforms”.

As people seek more control over their content, they are heading over to smaller communities such as Letterboxd, where they can share experiences. The app for movie buffs organises screenings ahead of a film’s release for members. These advanced screenings can be useful for capturing sentiment and “for figuring out a more targeted marketing campaign,” Gemma Gracewood, Letterboxd’s editor-in-chief, told Bloomberg.

Why hobby-based platforms matter!

As more people seek connections with people who share a passion, there’s an opportunity for brands to build relationships with a committed community of users. Strava, for instance, has partnered with Mexican food chain Chipotle and Brooks, a maker of running shoes.

According to a best practice article for WARC, content makes community, and community creates opportunity. “If brands want to reach their audiences, they need to fish where the fish are.”

Sourced from Bloomberg, Fortune, Posting Nexus, WARC

 

We Welcome Elikem to the Industry

Vincentia Elikem Kpodo-Tay is a marketer who specializes in SEO and Digital Marketing. As a content Creator, she’s constantly using innovative strategies to connect with her audience and build platforms. When she is not working, Elikem says you may find her relaxing in bed reading African fiction or nibbling on some plantain chips.

Elikem has BA in Political Science from the University of Ghana and Master of Arts in Brands & Communication Management from the University of Professional Studies (UPSA).

She joins AAG as a Digital Executive to manage the association’s online presence with specific focus on AAG’s website and all its social media handles.

AAG Begins Agency Spotlight Series

 

There is so much that member agencies of the AAG do in building solid global brands, influencing consumer choices, helping corporate organizations grow their bottom lines and businesses, contributing substantially to the economy of Ghana, growing the advertising industry, providing direct and indirect jobs, influencing political communication, and many more.

Our member agencies do these big things for brands, organizations and the Ghanaian economy from behind the curtains, without saying much about themselves and the people that lead to make these things happen. As an umbrella association and leading body for the industry, AAG has initiated a ‘Spotlight Series’ on the association’s website and social media handles to highlight the work and achievements of our colourful member agencies.

The ‘Spotlight Series’ began from August 2025 and would focus on one agency each month. Apart from publishing the successes and impact of the selected agencies, it would also feature the CEOs and leaders of the published agencies. The ultimate objective is to let the world know about the impact of these advertising agencies on the industry and the general business ecosystem in Ghana and in Africa.

 

AAG Resource Person’s Wow Participants at the Essential Advertising Skills Training

Participants at the professional development training held last month (July) have been talking about the expertise, delivery and depth of the resource persons who wowed them with what they have described a true package of industry experience. The resource persons for the training in July were Professor Robert E. Hinson of the Ghana Communication Technology University, Andrew Ackah of Denstu Ghana, and Beryl Agyekum Ayaaba of EchoHouse.

 

There were four areas of focus at the 3-day professional training session, covering areas such as contemporary events management that produce impact; winning client service skills; personal branding, and skills needed to move into leadership within the advertising space.

The following are a few of the comments from the participants: Josephine from MX24 “The training exceeded my expectation; I didn’t think it would have this kind of depth”. Dela from SSNIT: “Andrew’s delivery and insight on leadership skills were captivating. Leadership lectures are usually stiff and boring; but this was practical and very engaging”. Frederica from Sodium Brand: “I had heard about Beryll and what EchoHouse has been doing in the industry; but listening to her directly about their techniques, and seeing their pre-production videos was another experience altogether”. Ida Smend from SSNIT: “I love the content of the training and experiencing Professor Hinson in person was worth it”. Ekow from Global Media Alliance: “I have been to each event organized by EchoHouse; but the content shared here is eye-opening. AAG must organize more of these hands-on training sessions”.

Look out for our next professional training opportunity, coming up in October/November 2024

AAG and MEST Partner to Provide Internship & Career Opportunities for Over 200 Graduates in Digital Marketing

The advertising Association of Ghana (AAG) and the Meltwater Entrepreneurial School of Technology (MEST), have entered into a partnership to provide internship and other career opportunities for young Ghanaian graduates with digital marketing and web developing skills. The partnership, which promises to give access to about 300 young graduates from the two specified fields, will cover a period of three (3) years.

According to the details of an MoU signed by the two organizations, graduates from MEST would be given internship and subsequent employment opportunities with member agencies of the Advertising association of Ghana. MEST, funded by the Mastercard Foundation, is a globally acknowledged technology institution that trains young unemployed graduates to acquire employable skills in technology.

Even before the MoU would be signed by MEST and AAG, over 30 graduates from MEST who are Digital Marketers and Web Developers have got the opportunity to work with 12 member organizations of the Advertising Association of Ghana, and the number keeps increasing each week. The Advertising Association of Ghana has over 300 member organizations (agencies).

 

Gong Gong Festival of Creativity to be Held Within First Quarter of 2025

The Executive Council of AAG has decided to hold the next Gong Gong Awards ceremony as part of a total festival of creativity within the first quarter of 2025. The event would take the form of a week-long festival to celebrate creativity within the advertising industry in Ghana. Although a specific date is yet to be given for the week-long celebration, March 2025 is most likely be the month for the industry’s revered festival. It is expected that the awards categories for the “Refreshed Gong Gong” would be totally new and in line with other globally-recognized awards.

To kick-start the journey to next year’s Gong Gong, over 15 Creative Directors and Executive Creative Directors (CDs & ECDs) had an initial meeting in June to discuss the ‘Refreshed Gong Gong’ festival. The CDs and ECDs are set to meet again early September to firm up the new awards categories and the mode of celebration of the advertising week. As part of the journey to next year’s event, there would be a number of events from September, this year leading into 2025:

  1. A workshop on the new categories will be held to brief all CDs, ECDs, GCDs, ACDs, MDs, BDs and CEOs on the new awards categories and their requirements.
  2. Call for entries will happen this year, and
  3. There will also be announcement of the judges for the awards.

The refreshed Gong Gong Festival of Creativity promises to be a great show that would reflect the advertising industry’s true caliber.

Insights From the 2024 Cannes Creative Effectiveness Lions Winners

Creativity & effectiveness Strategy:

Consistency, simplicity and tapping into fandoms at scale are the keys to creative effectiveness success, according to a new WARC report, Creative Effectiveness Lions – Insights from the 2024 winners.

What it’s about 

The report, which is available exclusively to WARC subscribers, analyses the entries and has insights into the jury’s deliberations to provide a commentary on the themes from the work, unearth what makes a campaign both creative and effective, and offer a behind-the-scenes view of the strategies that lead to winning in this category.

Why the 2024 winners matter

John Bizzell, WARC’s awards lead, explains that the 2024 Creative Effectiveness Lions jury set themselves a mission to “seek causality in every case” – with clear evidence that the campaign had directly caused business impact.

 

“You can really see that in the winners they chose and that makes this year’s crop a particularly powerful resource for marketers to learn from and be inspired by,” he says.

Three key themes 

  • The power of consistency
    Consistency plays a key role in building mental availability and salience. Being consistent might mean investing in distinctive brand assets, or commitment to a long-running campaign. Brands like Heinz, Dove, Mastercard and Spotify maintained commitment to long-standing strategies, but did so in ways that are fresh and exciting. 
  • Keying into cultures at scale
    Successful brands are combining approaches that key into cultures and sub-groups with sophisticated mass marketing. PedidosYa, Oreo and Budweiser all built campaigns around sporting fan truths, but then used those insights to go large and win.
  • Simplicity is a virtue
    Simple felt like the most used word in the Creative Effectiveness Lions jury room this year, in a very positive way. Simplicity might mean finding an emotional connection, or finding simple solutions to customer pain points, as McDonald’s and Honest Eggs Co showed.

The full report is available to WARC Strategy subscribers

AI Often Makes Workers Less Productive

Generative AI Talent, skills, HR Strategy:

A study of 2,500 workers suggests that current AI tools are not saving them time and has given them more to do, making many anxious that they can’t deliver on the productivity boosts expected by bosses.

Why the productivity problem matters

AI has great potential, but also many risks – balancing these two sides is key to using the technology effectively. Pressure to deploy the technology, whether or not another might actually do the job better, leaves employees in a tricky spot. In part, that’s because not that many time-saving, killer-app use cases are forthcoming; if they are, it would appear that many people would love to hear about them and how to put them into practice.

AI is meant to speed up work, but its output is fallible and it’s the employee on the line as the responsible human in the loop. Processes and systems have not caught up to a system that heaps risk onto the employee in the face of a technology that is expected to radically affect many professions.

What’s going on

A study from Upwork Research Institute, the research division of the talent marketplace – based on a survey of 2,500 global workers, freelancers, and executives – found that 77% believe AI tools have decreased their productivity and added to their workload. As the chart shows, employees have been asked to be both more productive and to learn the new skills to deploy a fallible technology, often at the same time.

What appears to be happening, according to the research, is that a push for productivity at the executive level – 81% say they have increased demands on workers in the last 12 months – has come before any real evidence of AI’s ability to increase it. Despite this, they are bullish on the technology, even though just 26% have put AI training programs in place; only 13% say they have a well-implemented AI strategy.

Some of the figures around employee sentiment are sobering:

  • 47% of employees using AI say they have no idea how to achieve the productivity gains their employers expect.
  • 39% report spending more time reviewing or moderating AI-generated content.
  • 65% report struggling with employer demands on their productivity.
  • 39% are required to use AI tools by their employers.

Analysis

Technologies take time to really change the way the world works. For instance, while Amazon began selling books back in the mid-90s, it was not until the 2020s that e-commerce reached the mainstream. Technology is just one piece of the puzzle; culture, meanwhile, is much harder to change.

This is especially true when the technology comes wrapped up in so many existential labour questions for workers and an existential threat potential for humanity. For many consumers, the term AI is something of a turn-off; for employees, even those under direct pressure to start using the technology, it’s possible that a similar sentiment is at play.

Recently, we’ve seen a spate of new advertisements from tech companies about the uses of AI. During the Olympics, its ‘Dear Sydney’ spot drew widespread derision – though as The Drum’s John McCarthy writes, this was largely a failure of the advertising basics as much as it was evidence that adland and the public do not see eye to eye on AI. In the UK, Google has the radio DJ and TV presenter Maya Jama fronting a campaign in which she asks Google’s Gemini assistant for tips for a trip to Barcelona with unconvincing results.

In short, a lot of the available examples show what this tech could be used for rather than how to use it in a business setting right now, without lots of additional reviewing work. From a productivity perspective, can the measures of success move beyond the quantity of work made and the speed at which it is produced and toward improved outcomes: more innovation, greater adaptability to resilience, improved client outcomes?

What next? 

How are you using AI? Is it making you faster and more efficient? Whether you’re using a company’s internal AI system or your own system, let us know how you’re using the technology.

Sourced from Upwork, WARC, The Drum. Image: Upwork