How to Make Successful Entries in the Gong Gong Awards: The Views of a Jury President

As the Gong Gong Awards continue to grow in stature, and competition intensifies among agencies, the quality of entries submitted has become just as important as the volumes. According to Russel Eni of Insel Communications, who was the Jury President for Press, Radio, TV & OOH for the 2025 Gong Gongs, success at the awards begins long before submission day. It starts with intentional thinking, strong storytelling, and respect for craft.

Drawing from his experience in the jury room, Russel emphasizes that awards are not won by how many entries are submitted, but by how well each entry is thought through. “It is not about quantity,” he explains. “It’s the quality of work you put in that determines whether an entry stands out.”

What Separates a Good Entry from an Outstanding One?

At the heart of every award-winning entry is memorability. The strongest work, Russel notes, is work that leaves a lasting impression not just on jurors, but on the audience, it was created for.

“An ad should resolve something in the mind of the consumer: a problem, a desire, a question,” he explains. “The brand should be the hero that resolves that problem. We shouldn’t be making ads for clients; we should be making ads for consumers.”

Russel, who is also a member of the Gong Gong Board, mentioned that the test for jurors is simple: is the work remembered after reviewing dozens of entries in a short period of time? If the answer is no, the work risks fading into the background.

The Importance of Storytelling and Structure

Storytelling consistently emerged as a defining factor in strong entries. Effective submissions clearly articulate where the idea started, why it matters, and how it came to life. Case studies whether presented through video or written narrative help jurors understand the thinking behind the work and the journey from insight to execution.

However, clarity is non-negotiable. “If it’s not clear, it can’t be judged,” Russel stresses. “If it doesn’t move you, you’re bored. And when people are bored, they move on.”

He adds that the first few seconds matter greatly. Just as viewers change TV channels or scroll past content online, jurors are exposed to multiple entries in quick succession. Work that fails to capture attention early often gets skipped. One guiding principle, he says, should always apply: Don’t tell me show me.”

Strategy First, Creativity Always.

While creativity is essential, Russel believes strategy is the foundation upon which great work is built. Without strategy, even the most visually appealing execution risks becoming forgettable.

“Anyone can create something beautiful,” he explains. “But strategy is what gives the work purpose of understanding human insight, context, media placement, and intention.”

In a cluttered advertising landscape, strategy helps brands decide not just what to say, but when, where, and how to say it. Creativity, when guided by strong strategy, becomes impactful rather than decorative.

As He succinctly puts it, Good storytelling will always trump good design. If you can marry the two, then you have something truly powerful.”

Common Pitfalls That Weaken Entries

One of the most common challenges observed during judging is idea dilution. Strong concepts often lose their edge during execution sometimes due to excessive compromises, unnecessary additions, or fear of taking creative risks.

According to Russel, agencies must learn to defend good ideas with conviction. “You hire an agency for expertise,” he notes. “Once an idea is strong, it should be protected and carried consistently across every channel.”

He also highlights the danger of playing it too safe. In a world competing for attention, overly cautious work rarely stands out. “You cannot please everybody,” he says. “If you connect with the majority and spark emotion, you’re winning.”

Why Emotion and Cultural Relevance Matter

Award-worthy work often transcends language and geography. Whether an ad is delivered in English, Twi, or another language, what truly matters is human connection.

“Seeing isn’t believing anymore, feeling is believing,” Russelexplains.

Work that sparks emotional laughter, reflection, curiosity, or empathy is far more likely to be remembered and shared. Stories grounded in authentic cultural insight tend to resonate deeply, both locally and internationally.

Rather than imitating global styles, Russel encourages creatives to look inward. “Our stories matter,” he says. “When told with intention, they can travel anywhere.”

Advice for First-Time Entrants

For agencies and creatives submitting work for the first time, the advice Russel gives is to study strong case studies from reputable award platforms and benchmarking honestly against global standards. More importantly, he encourages teams to ask themselves one simple question before submitting any work: If I wasn’t part of this project, would I feel something when I encountered this?” If the answer is no, then the work likely needs refinement.

A Mindset of Learning and Growth

Finally, Russel emphasizes the importance of humility and continuous learning within the industry. Advertising, he notes, is a complex and highly skilled profession that demands constant upskilling.“No one knows everything,” he says. “The moment you believe you do, you stop growing.”

As Ghanaian agencies increasingly compete on regional and global stages, investment in training, craft, and strategic thinking will be essential to producing work that not only wins’ awards, but shapes culture and drives impact.

The Lion Hunt: Key Insights from AAG and The Storytellers’ Cannes Lions Workshop

On February 13th, the Advertising Association of Ghana (AAG), in partnership with The Storytellers, hosted an intimate workshop at Akuna Group, Labone, followed by a wider Zoom session that brought together over 20 participants from across Ghana. This dual format allowed a small, focused group to engage in person while reaching a broader audience online.

The session began with Venus Tawiah Director of Global Partnership AAG, who provided context on what AAG stands for, its mission, and why its partnership with The Storytellers is pivotal in amplifying Ghanaian creativity on the global stage. Next, Jason Nartey CEO Storytellers shared his personal journey, recounting how creative inspiration led him to win a prestigious Cannes Lion. He emphasized that beyond technique, it’s the spark of creativity that elevates a winning entry.

The final segment featured Marian Branelly, Global Director of Awards at LIONS. Marian offered a deep dive into the awards categories, explaining how certain entries naturally fit specific categories better, and how that strategic alignment can be a game-changer for a jury. Throughout the session, the energy was palpable as attendees asked questions and connected over shared ambitions.

The workshop left everyone inspired, with a clearer understanding of how to craft entries that not only showcase creativity but align strategically with the awards’ criteria. As AAG continues to pave the way, Ghanaian creatives are poised to leave their mark on the global stage.

AAG CREATES OPPORTUNITY FOR AGENCIES TO ACCESS UNENDING POOL OF RESOURCES FOR SUCCESSFUL PITCHES

A special MOU between AAG and Cannes Lions has created the opportunity for all AAG member-agencies to gain access to a globally-acclaimed prestigious pool of resources that has been described by some as “creative steroids”. This Lions resource portal is generally known as “The Work”, and is subscribed to by most of the leading global advertising agencies.

According to the Executive Director of AAG, Isaac Cudjoe, AAG considered two key benefits of the The Work portal before entering into the partnership with the Lions team The portal grants creative agencies access to the world’s most celebrated and award-winning creative campaigns. It serves as a creative ‘cheat code’ for agencies that have access to enable them to enrich their pitches. The portal also serves as a guide to agencies that want to win global awards. Instead of paying 5,000 Euros to access the portal, AAG’s arrangement gives its member (corporate and individual) the opportunity to pay about 500 USD to access the prestigious portal.
Apart from the above-mentioned benefits, the following also serve as a strong reasons why top advertising and marketing communications agencies subscribe to the The Work portal

  1. The Work gives you year-round access to data, opinions, analysis and the talents behind the best-in-class work entered into Cannes Lions since 2001.
  2. It’s the world’s leading creative benchmark tool. It gives you access to the core of how to create exceptional work that impacts culture and drives measurable growth.
  3. It’s how you tap into the minds of creative legends and industry leaders.
  4. It’s where you go to harness the trends shaping the industry. It boasts of 100 + Detailed Reports and the LIONS Webinar Series.

For agencies interested in The Work portal, you can reach out to Woodin on 0244440477 or Venus Tawiah on 0502911746.

 

AAG Partners Pitcher Festival for 2026 Young Lions Digital Competition

The Advertising Association of Ghana partnered with the Pitcher Festival for the successful hosting of the 2026 Young Lions Digital Competition, delivered as a joint Ghana and Nigeria initiative. The collaboration reinforces AAG’s commitment to developing emerging creative talent and strengthening West Africa’s presence on the global stage.

The 2026 edition concluded on a high note, featuring strong entries from rising digital professionals who demonstrated strategic depth and effective digital execution. Echo House, one of Ghana’s leading creative agencies, was among the finalists, showcasing exceptional work that reflected the strength of the local creative ecosystem.

AAG’s industry representation was reflected in the appointment of Whitney Thomson, Head of Digital and Account Director at Ogilvy Africa Ghana, who served on the distinguished jury panel. Alongside respected industry leaders from Nigeria and Kenya, the jury upheld rigorous standards in evaluating this year’s entries, ensuring that excellence remained at the forefront of the competition.

In the final outcome, Precious Kassie and Olabode Otolorin of Mavin Global emerged as winners of the 2026 Young Lions Digital Competition. Their work stood out for its clarity, innovation, and strategic execution, earning strong commendation from the jury.

With this win, the duo will represent the region at the Global Young Lions Digital Competition during the Cannes Lions International Festival of Creativity, scheduled for 22 to 26 June 2026. Their qualification marks another significant milestone for West African creative talent on the international stage.

AAG also acknowledges all participants who took part in this year’s competition. The quality of submissions, including finalists like Echo House, reflects a growing depth of digital capability within the region’s creative ecosystem.

Through strategic partnerships such as this, AAG continues to advance professional development, industry standards, and global competitiveness for Ghana’s advertising and marketing communications sector.

GONG GONG AWARDS TO BE BETTER POSITIONED WITH NEW GONG GONG BOARD INAUGURATED

In a move signaling a new era of strategic governance, the Advertising Association of Ghana (AAG) formally inaugurated the Gong Gong Awards Board on Thursday 11th December at the Airport West Hotel. The historic swearing-in ceremony of the 10-member board marks a decisive step toward refining the nation’s premier creative awards and amplifying Ghana’s voice in the international advertising and creative ecosystem.

 

The event drew a gathering of industry stakeholders, media, and dignitaries who witnessed the board members take their oath of office. With its diverse composition spanning academia, media, agencies, and client-side leadership, the board was tasked to bring fresh perspective and rigorous standards into the awards framework.

 

In his inaugural address, Andrew Ackah, CEO of Dentsu Ghana and the President of Advertising Association of Ghana, framed the board’s mission in ambitious terms. “This is not merely an administrative body,” Mr. Ackah stated. “Our collective mandate is to elevate the Gong Gong Awards to international benchmarks, ensuring they become a true beacon of excellence that recognizes and rewards the phenomenal talent within Ghana’s creative sector.”

 

The newly constituted board represents a cross-section of industry heavyweights:

 

Guiding the academic perspective is Dr. Mrs. Linda Narh, a Lecturer and Coordinator at the University of Professional Studies, Accra (UPSA).

 

The media realm is represented by Afeafa Nfojoh, General Manager of Adesa Productions Ltd.

 

The agency and creative industry cohort features a roster of leaders: Russel Eni (Insel Communications), Grace Adzo Andoh (Art Excel), Anand Badami (Publicis West Africa), Nicolette Amaeshi (Pulse GH), Justin Darkwa (Rezultz Advertising), and Russell Banful (Brandflow).

 

Representing the client-side is Lasisi Andre Tayo Jnr, Head of Brand, Marketing Communications & Events at Telecel.

 

The inauguration program blended ceremony with clarity of purpose, featuring opening remarks, the formal swearing-in, and focused discussions on the board’s forthcoming responsibilities. While the group has yet to hold its first working session, the event unequivocally established their role as the custodians of the awards’ integrity and future trajectory.

The establishment of the Gong Gong Awards Board is widely seen as a direct response to the rapid growth and increasing sophistication of Ghana’s creative economy. By installing a body dedicated to governance, excellence, and global relevance, the AAG aims not only to enhance the prestige of the awards but also to catalyze broader industry innovation and professional development.

With this new governing engine now in place, the Ghanaian creative sector watches with anticipation, expecting the Gong Gong Awards to transform into a more powerful platform that celebrates local genius while demanding world-class quality.

 

Member Spotlight: Mrs. Norkor Akua Duah

BRIEF PROFILE OF NORKOR AKUA DUAH (NEE OMABOE)
Mrs. Norkor Akua Duah is a communication specialist with over 3 decades of experience in Brand Building which is reflected in her role of creating most of Ghana’s successful brands in the Marketing communication field.


She is the Managing Director of Mullen Lowe Accra also known as Lintas Ghana Ltd. an Integrated Communications company affiliated to Mullen Lowe Worldwide and Partners, a member of the InterPublic Group of Companies, and she has an oversight role as the Group C.E.O of The Advantage Group (TAG) which comprises Mullen Lowe Accra, Prodesign Ltd, FM24 Ltd and Media Initiative.


Norkor has developed exceptional qualities in Health Communications and Behavioural Change communications. Her expertise in this arena has seen her champion award-winning Public Sector Health campaigns supported by Development Partners as well as Private Sector initiatives over the years.

From an industry perspective, Norkor is currently the Vice President/Area Director, Africa of the International Advertising Association (IAA), a Past President of the Advertising Association of Ghana (AAG) and a founding member of the Ghana Design Network (GDN). She also serves on several boards of highly reputable companies in Ghana.


In 2009, she was awarded the “2008 CIMG Marketing Woman of the Year” for her distinguished contribution to the advertising industry, “Best Entrepreneur Advertising/ Marketing Communication of the Year” Award in 2011 at the Ghana Entrepreneur Awards.

She received the Medal For Merit Award in 2013 for being a promoter of IA programs in Africa, and being the first Vice-President Development-Africa to serve on Exco of the IAA. She also received the Advertising Association of Ghana’s (AAG) 2015 Distinguished Personality Award, including several other accolades.

She was honored with the IAA Inspire Champions award at the 2018 IAA Global Conference for her exceptional leadership and continuous effort in expanding the IAA footprint in Africa most especially through the formation of new chapters. She was in 2019 awarded for her dedication and commitment to the development of Advertising in Ghana at the 4th Ghana Women in Excellence Awards.

She was awarded in 2020 for her Outstanding Contribution to Marketing (Agency) at the 10th Women In Marketing Global Awards.In 2022, she received a Creative Impact Award from the 3Music Awards Women
Brunch for her extensive work and impact in the creative industry.

She also received a Hall of Fame Award from the Ghana CEO Excellence Awards for her leadership and achievements in the Advertising sector of Ghana.

Norkor finds great joy in giving back to society, which finds her in associations like Zonta International, of which she has held many positions. She is also a strong advocate of Girl Child education and as such is involved in promoting reading in children while supporting education amongst the less privileged i.e. The IAA OBAA Project.

Cannes Lions Introduces Creative Country of the Year Award

At the 2025 Cannes Lions festival in France, a new award was launched called the Creative Country of the Year. The Creative Country of the Year is an experiential initiative that spotlights the brilliance of a country’s creative output at the world’s biggest celebration of history-making creativity. It is an annual accolade that recognises one nation’s exceptional and enduring commitment to creativity that drives progress.

The new award’s mission is to provide a significant growth platform for the chosen country, supercharging its creative economy on an international stage. It delivers the truly global experience our delegates want from their time at Cannes Lions by providing meaningful insight into creativity and culture from different corners of the world.

Why This Matters:

Countries and governments that invest in creativity and the broader creative industries have seen measurable economic and social benefits. Here’s a look at the stats:

  • Creative industries are among the world’s fastest-growing sectors, with the creative economy currently being valued at approximately $2.3 trillion globally.
  • The creative economy has a powerful multiplier effect: $1 spent creates $2.5 of wealth for the broader economy.
  • Creative industries account for nearly 50 million jobs worldwide. UNESCO estimates that the cultural and creative industries account for 6.2% of global employment Plus, countries that invest in creativity see the impact beyond traditional economic measures, including:
  • Driving cultural evolution and social change
  • Integrating with education, healthcare, and urban development
  • Elevating storytelling and amplifying underrepresented voices
  • Contributing to innovation across multiple sectors.

Who Can Apply?

Anyone can apply on behalf of a country for Creative Country of the Year. Ideally, it is meant for government agencies, industry associations or private sector organisations who can spearhead the project and bring the activation to life, recruiting the relevant partners to accurately represent their market.

How Do You Select Who Receives the Accolade?

The Creative Country of the Year is selected through a comprehensive evaluation process that considers:

  • Creative excellence demonstrated through international recognition
  • Measurable economic growth driven by creative industries
  • Global influence through innovative ideas and approaches.

When a single country shows an exceptional and enduring commitment to creativity, it invariably drives progress and growth. This is what is being celebrated through the Creative Country of the Year accolade.

Has your country made an exceptional contribution to the creative industry? This is your moment to have it recognised on the global stage at Cannes Lions 2026.