Lynn Osei-Bonsu, the Face Behind the Nuru Experience.

Lynn Osei-Bonsu is an accomplished Communications Strategist and Consultant with over 20 years of experience. Lynn is the Managing Director of Nuru Group, a pan-African and Middle Eastern strategic communications and advisory firm specializing in public-sector visibility, development communication, sustainability storytelling, and national impact campaigns. She excels in orchestrating successful communication campaigns that are both timely and sensitive to public needs.

Throughout her career, Lynn has held various leadership roles including as Corporate Relations Manager and Head of Corporate Affairs at multinational corporations. Her extensive consulting experience spans non-profits, media, government, and manufacturing sectors, where she has honed her skills in strategic leadership, efficient management, and inspirational mentorship. Lynn holds a Postgraduate Diploma in Communication Studies and a Bachelor of Arts in English from the University of Ghana, Legon. Her academic background has provided a strong foundation for her professional achievements.

Her impressive portfolio includes numerous successful projects where she has provided strategic communications counsel to private sector organizations, helping them meet their marketing objectives. Additionally, she has contributed technical expertise to government initiatives, working with entities such as the Ministry of Communications and the National Communications Authority to leverage communication campaigns for social impact. She has also collaborated with the West African Genetic Medicine Centre at the University of Ghana to implement the Genome Project, a campaign aimed at raising public awareness and driving social change regarding sickle cell disease. Under Sustainable Communications, she led the transformative circular economy campaign for MINIPLAST LTD. that reframed plastic waste from an environmental burden into a catalyst for entrepreneurship.

Lynn has been recognized for her outstanding contributions to the field, having received numerous awards including Ghana’s most respected CEO in PR consultancy. She is currently enrolled in the Strategic Coach Program, the recognized world leader in entrepreneurial coaching.

She is an active member of the Public Relations Society of America (PRSA), the Institute of Public Relations (IPR) Ghana, and through Nuru, a member of Advertising Association of Ghana (AAG); Lynn remains at the forefront of industry developments. She currently serves as the Strategic Communications Adviser for TAG International, and continues to apply her expertise in enhancing organizational communication strategies and outcomes.

Decades of Leadership: Geddy Laryea and Ghana’s Marketing Evolution.

Mr. Reginald Daniel Laryea, affectionately, called ‘Geddy’ is the Managing Director, Media Majique and Research Systems (Media Majique or MMRS).

As the Managing Director of MMRS Mr. Laryea provides strategic leadership across Below-The-Line (BTL) activations, consultancy, research, branding, and merchandise production. His professional journey reflects a strong commitment to building a communications firm that blends creativity, insight, and execution excellence.

Mr. Laryea developed his expertise in advertising strategy and media buying working on a wide range of local and multinational campaigns that successfully connected brands with audiences across Ghana and, in some cases, the wider West African sub-region. This experience laid a solid foundation in high-impact communication strategy, effective media investment management, and a deep understanding of the advertising industry.

Building on this foundation, Mr. Laryea was invited to become the Ghanaian partner within the global Ogilvy network in Ghana, serving as Chairman and the only Ghanaian shareholder. While holding this position, he has continued to retain the Chief Executive role at Media Majique and Research Systems, ensuring continuity of leadership and vision.

Under his leadership, Media Majique has successfully partnered with public institutions, corporate organisations, NGOs, and development partners, delivering campaigns that combine strategic insight with creative execution.

Mr. Laryea’s vision continues to shape Media Majique as a firm distinguished by originality, professionalism, and an immeasurable impact within Ghana’s communications and marketing landscape.

Media Majique and Research Systems (Media Majique), As An Advertising Agency

Media Majique and Research Systems Limited (Media Majique) was founded in 1989 by Mr. Reginald D. Laryea, establishing itself as Ghana’s pioneering marketing communications agency. Over the past 35 years, the agency has achieved numerous awards, accolades, and key milestones, transforming businesses and brands across multiple industries.

Media Majique is a communications and marketing firm delivering Below-The-Line (BTL) activations, consultancy, research, branding, and branded merchandise production, with a strong focus on originality and impact. Guided by its tagline, “We Make It Unique,” the firm approaches every project with fresh thinking and tailored solutions designed to meet specific client needs.

The firm’s mission is to deliver exceptional marketing and communication solutions with a purpose-driven approach. By upholding the highest standards of quality and excellence, Media Majique empowers businesses and institutions to achieve their full potential and thrive in competitive markets.

It specializes in designing and executing BTL campaigns that connect brands directly with their audiences through community engagement, experiential marketing, and targeted promotional activities. These campaigns are supported by research and strategic consultancy, ensuring that messaging is relevant, audience-focused, and results-driven.

In addition, the firm provides strategic consulting, marketing, digital communication, and comprehensive branding services, including print, merchandise, and production solutions. From concept development to execution, Media Majique translates brand identity into high-quality visual assets and promotional materials that stand out in competitive environments.

With a team of experienced consultants, researchers, and production professionals, Media Majique continues to support public institutions, corporate organisations, NGOs, and development partners, helping brands communicate with clarity, creativity, and distinction.

TikTok Set to Top $30bn Despite Complex Year Ahead

TikTok, the short-form video-sharing platform, is colossally popular among users and increasingly seen as a way to drive results for marketers across the full funnel, from discovery through to search and purchase: its importance in global advertising is undeniable even if its future in the US is in doubt – here’s what you need to know.

Get the key data points about TikTok spanning investment, consumption and performance: Platform Insights: TikTok 2025 

Why TikTok Matters

If TikTok avoids a ban in the US, global advertising spend on the platform should reach $32 billion, a 24.5% year-on-year increase. With a faster rate of growth than either Facebook (9.3%) or Instagram (19.0%), this growth would see it take 11% share of total social spend worldwide.

It is also by far the most consumed. Total monthly usage on TikTok by far exceeds that of any other platform, with the average user spending more than 35 hours on the app each month in 2024 – more than double the average usage by Instagram users.

What’s Going On

The US remains TikTok’s largest market, but over the last five years its share of the platform’s total ad revenue has diminished, dropping from 43.3% in 2022 to 34.0% by 2026, according to WARC Media forecast. Ad revenue is growing faster outside of the US.

The TikTok story lives, naturally, under the shadow of a potential ban in the largest advertising market on earth.

“A 75-day deadline extension to 5 April by President Donald Trump does little to dispel the uncertainty around TikTok as an ongoing staple in many brands’ marketing plans,” report lead author Alex Brownsell, head of content for WARC Media says.

If a ban in the US is avoided, TikTok is forecast to earn $11.8bn in US ad revenue this year (up 21.0%, outpacing overall US social media ad investment, which is set to grow 10.6%), rising to $13.4bn in 2026.

Instagram stands to benefit most from a TikTok ban, WARC Media estimates, with spend also going to YouTube and Snapchat.

More than half (57%) of global TikTok users go to the platform’s search function to follow or find information about products and brands, according to We Are Social. Advertisers so far are “intrigued” but cautious over concerns such as effectiveness and safety.

Lessons for Brand Managers and Advertisers from the 2024 General Elections in Ghana and the USA

On December 7, Ghana held its much-awaited presidential and parliamentary elections, and the energy during the elections felt a lot like what businesses experience when launching something big.

Politicians are focused on winning support, just like businesses focus on releasing new products, meeting sales goals, creating strategies to attract customers, and building their brands. The 2024 elections, in particular, have demonstrated how much businesses and can learn from politics and political communications — not just by making promises, but by standing out and building real connections with their audience.

In this article, one of AAG’s platinum member agencies, The Little Cow, takes a look at the lessons that brand owners and advertisers glean from the 2024 elections and how those lessons can impact Ghana’s businesses. Let’s dive in!

  1. Distinctive Brand Asset Matter

One major lesson to pick from the political campaigns is the importance of having something unique that helps people identify you—what we call a distinctive brand asset (DBA). For both political parties and businesses, this could be a logo, a slogan, a specific color, or even the use of popular figures. But it’s also important to focus on the asset that your audience will actually look for when making their decision.

While it’s commendable that the campaigns of Dr. Mahamudu Bawumia and former President John Dramani Mahama and the others have effectively championed their personal images, created engaging taglines, and stuck to party colors, there is one key brand asset that matter on the voting day that they all neglected — the party logo or symbols and the actual image that would be used on the ballot sheet.

At the end of the day, voters will see the umbrella for the NDC or the elephant for the NPP and not the usual campaign designs. This creates a disconnect between the distinctive assets that the campaigns promote and what voters actually engage on the ballot paper at when voting. The parties, belatedly, woke up to this fact and began emphasizing their distinctive brand asset that would be relevant to the voters on the ballot paper.

As a business, it’s important to focus on the distinctive brand assets that evoke your brand name (uniqueness) and that most people associate with your brand (fame). This requires the brand managers to measure and prioritize the distinctive brand assets they would invest in and promote. Whether it’s your logo, tagline, or color, it should be unique and memorable so that people can quickly connect with your brand. Just as voters rely on distinctive symbols to find their preferred party on the ballot, customers rely on your DBA to find you in the marketplace.

Many businesses, however, often overlook promoting the right elements that make their brand easily recognizable. To avoid this, businesses should be intentional about selecting assets that actually help consumers to find their brands. When you understand your consumers’ objectives, you can effectively promote the right distinctive brand asset (DBA) to them. This will help ensure that your brand stands out and is easily recognized, making it easier for customers to connect with your business.

  1. Authenticity Wins Hearts

The lessons from the 2024 U.S. elections reveal a critical insight: being ‘authenticity resonates deeply with voters’, and similarly, it can win over consumers for businesses. Donald Trump’s approach was seen as deeply rooted in understanding the desires of his voters. He focused on issues that mattered most to them, addressing the concerns that shaped their view of the country’s future.

Trump wasn’t confined to traditional political norms, and he often veered away from the status quo. This, in essence, reflects market orientation — understanding and adapting to the needs and preferences of the people, and shaping the message accordingly.

However, this doesn’t mean product orientation is irrelevant. While many believed Trump genuinely cared for his voters (akin to a business caring about its consumers), his campaign was not necessarily about refining the “product” (his political platform).

Instead, it was about how effectively his message aligned with the desires and concerns of the electorate. His authenticity became a key element of his political product, but it was his connection with the masses—the market—that truly propelled his success.

For businesses, this means that while it’s important to have a product that reflects your brand’s values (product orientation), it’s equally important to ensure that your offering resonates with your audience’s needs and desires (market orientation). The ability to authentically connect with your consumers—understanding what matters to them and aligning your message accordingly—can make all the difference. Just like Trump’s success, businesses that combine both market and product orientation will be able to build lasting trust and loyalty.

3.The Power of Positioning

The election campaign in Ghana as discussed before is simply like a race for attention. The candidates believe if they come out to define their opponent’s weakness, it might win more support than focusing on defining their own strengths.

Unfortunately, in politics, the main political parties get locked up in a cycle of back-and-forth criticisms of each other. Many voters are left frustrated as a result, unable to distinguish any unique qualities between the parties. In such circumstances the parties fail to project their distinctive assets or a clear pattern of values that sets them apart.

This is a key lesson for businesses: POSITIONING begins with defining the simple, basic category your brand fits into and the primary need it fulfills. For example, political leaders can be known by their party. This is essentially what people will associate with you. For a business, it’s about understanding what needs your brand fulfills, like milk or butter for a dairy product.

Next is the Point of Difference, which asks what sets your brand apart from others in the same category. In the case of the two main political leaders in Ghana, it was their digitalization or 24-hour economy campaign policies. Beyond their policies, it could be their trustworthiness, their activities during their term of office, etc.

Finally, the Reason to Believe is what supports your brand’s point of difference, providing proof that your claims are trustworthy. For businesses, this might be customer testimonials or proven success stories. For our politicians, it is more of their track record of achievements during their time in office, showing why voters should trust them.

Now in our part of the world, especially in Ghana, political parties are often seen as some sort of cult or an unreachable organization when they get into power. Businesses should avoid this by staying relatable, transparent, and directly connected with their customers.

By positioning yourself well with your audience, showing them how your brand is superior in fulfilling their needs, and providing solid proof of your claims, your business can stand out and succeed in the competitive market.

Final Thoughts

The 2024 elections in Ghana and the USA have provided businesses with lessons about communication, authenticity, positioning, and understanding their audience. Just as voters are drawn to candidates who are clear, genuine, and relatable, customers are more likely to trust brands that are transparent, consistent, and focused on meeting their needs. Some of the lessons we have derived are:

  • Focus on Your Distinctive Brand Assets (DBA): Just as voters rely on party symbols like the NPP’s elephant or NDC’s umbrella, businesses need to promote assets that make their brand instantly recognizable. A logo, slogan, or even a specific color can become a powerful tool to stand out in a crowded market.
  • Be Authentic: Authenticity is the bridge between your brand and your audience. Like Trump’s ability to resonate with voters by addressing their core concerns, businesses must deeply understand their customers’ needs and connect on a personal level. It’s not just about having a great product; it’s about showing genuine care for your customers.
  • Master the Power of Positioning: Positioning starts with defining the basic category your brand falls into and the need it fulfills. Then, distinguish yourself with a unique point of difference and back it up with reasons to believe—proof that reinforces trust in your brand.

For businesses, the lesson is clear: success isn’t just about having a great product or service. It’s about making your brand easy to find, relatable, and trustworthy. Politicians might win elections through strategic positioning and authenticity, but businesses can win loyal customers the same way.

At The Little Cow is a platinum member of the Advertising Association of Ghana. They specialize in helping build brands that connect with customers and stand out in the market.

 

Publicis West Africa and Lancaster University, Ghana Collaborate on Business Innovation & Talent Development

Publicis West Africa, a platinum member of the Advertising Association of Ghana, has been initiating a number of business and talent development collaborative relationships with key partners within the industry and the academia in a bid to increase its impact on young talents within the marketing communication space. Its recent collaborative event was with the Lancaster University, Ghana.

Bridget Gbesemete, PR Manager for Publicis West Africa, gives us a peek into what Lancaster University, Ghana and Publicis West Africa have described as a great event to be replicated in many other areas.

Bridget Gbesemete writes:

In a vibrant collaboration, PWA Academy, the talent development initiative of Publicis West Africa, has joined forces with Lancaster University, Ghana, to celebrate Business Week at the university’s Business School. This partnership underscores PWA Academy’s unwavering commitment to sparking innovation and empowering the next wave of business leaders, while also driving thought leadership to reshape brand communication across Africa.

Muyiwa Aleshinloye, Head of Media at Publicis West Africa, captivated the young audience with his presentation, “Business Elevation through Innovation: Empowering the Next Generation of Business Entrepreneurs.” Drawing from his rich experience in media and advertising, Muyiwa illuminated how innovation fuels business growth and the critical role of nurturing entrepreneurial talent.

Muyiwa’s lecture was a masterclass in business elevation, spotlighting creativity, adaptability, and forward-thinking. His insights resonated deeply, inspiring students to embrace innovative thinking and tackle contemporary business challenges head-on.

Kenny Tagoe, COO of Publicis West Africa and overseer of PWA Academy, highlighted the importance of these engagements. “We are dedicated to equipping the next generation of business leaders with the mindset and skills needed to thrive on a global stage,” he affirmed.

This collaboration marks a significant milestone in a series of initiatives by PWA Academy. By partnering with esteemed institutions like Lancaster University, PWA Academy fosters creativity and innovation, offering students practical knowledge and expert guidance to elevate their career prospects.

Publicis West Africa’s relentless pursuit of talent cultivation not only propels the creative industry forward but also shapes future leaders poised to navigate the complexities of a globalized world. As the growth hackers of Africa, they are driving business transformation and empowering the next generation of business leaders across the continent.

 

TikTok Set to Top $30bn Despite Complex Year Ahead

As published in the WARC magazine (owned by Ascential) TikTok, the short-form video-sharing platform, is colossally popular among users and increasingly seen as a way to drive results for marketers across the full funnel, from discovery through to search and purchase: its importance in global advertising is undeniable even if its future in the US is in doubt – here’s what you need to know.

Get the key data points about TikTok spanning investment, consumption and performance: Platform Insights: TikTok 2025 

Why TikTok Matters

If TikTok avoids a ban in the US, global advertising spend on the platform should reach $32 billion, a 24.5% year-on-year increase. With a faster rate of growth than either Facebook (9.3%) or Instagram (19.0%), this growth would see it take 11% share of total social spend worldwide.

It is also by far the most consumed. Total monthly usage on TikTok by far exceeds that of any other platform, with the average user spending more than 35 hours on the app each month in 2024 – more than double the average usage by Instagram users.

What’s Going On

The US remains TikTok’s largest market, but over the last five years its share of the platform’s total ad revenue has diminished, dropping from 43.3% in 2022 to 34.0% by 2026, according to WARC Media forecast. Ad revenue is growing faster outside of the US.

The TikTok story lives, naturally, under the shadow of a potential ban in the largest advertising market on earth.

“A 75-day deadline extension to 5 April by President Donald Trump does little to dispel the uncertainty around TikTok as an ongoing staple in many brands’ marketing plans,” report lead author Alex Brownsell, head of content for WARC Media says.

If a ban in the US is avoided, TikTok is forecast to earn $11.8bn in US ad revenue this year (up 21.0%, outpacing overall US social media ad investment, which is set to grow 10.6%), rising to $13.4bn in 2026.

Instagram stands to benefit most from a TikTok ban, WARC Media estimates, with spend also going to YouTube and Snapchat.

More than half (57%) of global TikTok users go to the platform’s search function to follow or find information about products and brands, according to We Are Social. Advertisers so far are “intrigued” but cautious over concerns such as effectiveness and safety.

Leader of Billboards and Flexes Stealing Syndicate Arrested

Report by Konadu Yiadom

In recent months, the theft of billboards and flex banners has become alarmingly rampant across Ghana. These large advertising structures, meant to serve as vital communication tools, are being targeted by criminals who cut them down and sell them off. The latest incident has raised serious concerns about the enforcement of justice and the role of law enforcement in tackling this growing menace.

On Saturday, January 25, 2025, PG Outdoor System, a leading outdoor advertising company, discovered that one of its billboards at Aburi Star Oil, popularly known as Y Junction, had been completely uprooted. Both the flex material and the metal structure were stolen, leaving behind a vacant space where the advertisement once stood.

Investigations revealed that the theft was executed by a group that arrived at the location the previous night with a crane. CCTV footage from a nearby filling station captured the vehicle used in the operation, providing crucial evidence for tracking down the perpetrators.

Following the trail, authorities traced the crane and its driver to Achimota. Upon interrogation, the driver admitted to transporting the stolen billboard and led investigators to the buyer, Destiny Roofing Company. The company had purchased the structure and then identified the seller as Paul Osum, also known as Taye. 

On Wednesday, January 29, 2025, law enforcement officials arrested Osum and detained him at the Lafa Mallam Police Station. Inspector Wisdom, the assigned CID officer, was urged to expedite legal proceedings to bring the suspect before the court. However, he insisted that approval from the district commander was required before taking further action. Despite concerns about unnecessary delays, assurances were given that due process would be followed. 

Further inquiries uncovered shocking details: Osum was already wanted in Takoradi for similar crimes. On Friday, March 3, 2023, the suspect and his group stole a billboard belonging to Eco Creatives, a company in Accra, and sold it to XCMG, another company also based in Accra. The company was later invited by the Takoradi Market Circle police, where they confirmed that they had indeed awarded a billboard contract to Osum. Investigations revealed that Osum and his associates resized the stolen board and reinstalled it at Egyam, a suburb in Ahanta West in the Western Region of Ghana.

 

The CID, Mrs. Irene, at the Takoradi Market Circle Police Station instructed that Osum should not be granted bail, citing his repeated history of arrests for the same offense and how he has been declared wanted. Despite these warnings, the CID at Lafa Mallam Police Station released him on bail on Friday, January 31, 2025, with orders to report back on Monday, February 3, 2025.

As feared, Osum failed to appear at the station on the specified date. His phone remains switched off, and he has not been seen by family or associates since his release. This case raises serious concerns about some law enforcement practices. How could a suspect with a history of repeated offenses, flagged by another police department, be allowed to walk free? The decision to release such an individual, despite clear warnings, has caused some out-of-home (OOH) business owners to escalate the matter to higher corridors of the national security system.

THE ADVERTISING ASSOCIATION OF GHANA ANNOUNCES THE RETURN OF THE GONG GONG FESTIVAL OF CREATIVITY & AWARDS

The Advertising Association of Ghana (AAG) is thrilled to announce the return of the Gong Gong Awards, which is now called Gong Gong Festival of Creativity & Awards, a reinvigorated celebration of excellence in advertising, branding, and creative communications. After a two-year break, the prestigious awards ceremony is back, reimagined to align with global transformations in the advertising industry.

Set to take place from Monday, April 28th to Saturday, May 3rd, this year’s event will be a week-long festival, culminating in the much-anticipated 17th Gong Gong Awards Night on Saturday, May 3rd. Themed “Disrupt & Inspire: Recognizing Brands and Agencies that Challenge Norms and Redefine Creativity,” the festival will celebrate outstanding creativity and innovation in Ghana’s advertising industry.

A Week of Creativity and Innovation

According to the President of the Advertising Association of Ghana, Andrew Ackah, the Refreshed Gong Gong Festival of Creativity will feature an exciting lineup of activities, including a Brand and Creativity Exhibition at the Accra Mall, where industry players and consumers can experience cutting-edge advertising and branding excellence. The festival will also host panel discussions, masterclasses, and networking sessions to foster collaboration and innovation in the advertising industry.

Celebrating Excellence in Advertising and Branding

The Gong Gong Awards, which have been a hallmark of Ghana’s advertising industry for nearly three decades, will now include 17 award categories that recognize not only creative agencies but also companies that own award-winning and outstanding brands. Under each award category there would be, at least, three different awards to be competed for. The awards will honor the most impactful advertising campaigns and creative works spanning 2023 and 2024.

Why This Year’s Gong Gong Awards Matter

The Refreshed Gong Gong Festival of Creativity & Awards is more than just an awards event—it is a platform for disrupting the status quo and inspiring the next generation of creatives. As Ghana’s premier advertising industry celebration, the festival aims to spotlight groundbreaking ideas, celebrate innovation, and honor the brands and agencies that push the boundaries of creativity.

Awards Categories:

  1. Radio Craft Gong Gong
  2. TV Craft Gong Gong
  3. Press Craft Gong Gong
  4. Out of Home (OOH) Gong Gong
  5. Film Gong Gong
  6. Film Craft Gong Gong
  7. Media Craft Gong Gong
  8. Integrated Campaign Gong Gong
  9. PR Gong Gong
  10. Social & Influencer Gong Gong
  11. Design Gong Gong
  12. Design Craft Gong Gong
  13. Digital Excellence Gong Gong
  14. Brand Experience & Activation Gong Gong
  15. Gong Gong for Clients:
    1. Best Company in Media Strategy
    2. Best Company in Social Media & Influencer marketing
    3. Best Creative Brand for 2023
    4. Best Creative Brand for 2024
  16. Gong Gong for Good
  17. Platinum Gong Gong

Call for Entries Action

The Advertising Association of Ghana invites all stakeholders in the advertising and marketing industry, corporate brands, creative professionals, media houses, and the general public to be part of this exciting festival. Get ready to experience the very best of Ghanaian creativity and celebrate the industry’s brightest talents.

Any advertising, marketing or PR agency that has some creative work worth-celebrating should access the Gong Gong awards portal on AAG’s website on www.aag.com.gh and follow the entry instructions. Each entry costs 1,500 GHC. When an agency makes five (5) entries, any additional entry after the five entries would cost only 1,000 GHC.

For sponsorship, participation, or media inquiries, please contact:

Isaac Cudjoe
Executive Director
Advertising Association of Ghana
0544494250

You can email us on: gonggong@aag.com.gh

Cannes Lions Announces its 2025 Jury President line-up & Awards Submissions Across All Lions Open

As Ghana prepares to launch the refreshed Gong Gong Awards, its international partner, Cannes Lions has opened awards submissions across all lions and has also released the line-up of Jury Presidents for its 72nd festival of creativity. Convening in Cannes in June 2025, the Jury Presidents will help benchmark excellence across the world’s very best creative and effective work. This year’s Jury Presidents include Ali Ali, Co-Founder and Film Director, Good People Films, representing Egypt on the line-up for the first time, as the Film Craft Lions Jury President.

Cannes Lions has announced significant updates for 2025, including the renaming of the Social & Influencer Lions to the Social & Creator Lions, to acknowledge the growing role of creators in the marketing landscape. Beth Keamy, Chief Digital Officer at TBWA\Media Arts Lab, Global, will serve as Jury President for the Social & Creator Lions, bringing her expertise in digital innovation to lead the Jury in recognising groundbreaking creative work.

In its 10th anniversary year, Glass: The Lion for Change is being redefined to reflect a more expansive vision for social equity. In 2025, the Award’s scope will broaden beyond gender to celebrate creative excellence that promotes more equitable representation across a wider range of communities – from disability and race to sexuality and social inequity. Entrants will be asked to identify the specific community their work represents, outline the problem it seeks to address and demonstrate its meaningful and long-lasting impact. KR Liu, Global Head of Disability Innovation, Google, a celebrated advocate for inclusion and innovation, will play a vital role as Jury President in championing these transformative creative solutions.

Commenting on the Jury Presidents, Simon Cook, CEO, LIONS, said: “We are excited to welcome a diverse and forward-thinking group of leaders who understand the transformative power of creative excellence to drive business growth and impact. All experts in their field, their incredible talent, combined with the commitment and leadership they bring to their roles, ensures the highest levels of integrity and rigor in the judging process. We thank them for all that they will bring to the important task ahead of them in June.”

The Cannes Lions 2025 Jury Presidents have been announced as follows:


Audio & Radio
Xolisa Dyeshana, Chief Creative Officer, Joe Public, Africa and Middle East

Brand Experience & Activation
Tara Ford, Chief Creative Officer, Droga5 ANZ and Accenture Song, APAC

Creative B2B
Wendy Walker, Vice President Marketing ASEAN, Salesforce, ASEAN

Creative Business Transformation
Jane Lin-Baden, CEO APAC, Member of the Global Management Committee, Publicis Groupe

Creative Commerce
Gabriel Schmitt, Global Chief Creative Officer, Grey, Global

Creative Data
Tina Allan, Global Chief Data and Intelligence Officer, FCB, Global

Creative Effectiveness
Andrea Diquez, Global CEO, GUT, Global

Creative Strategy
Pats McDonald, Global Chief Strategy Officer, Dentsu Creative, Global

Digital Craft
Naoki Tanaka, Chief Creative Officer, Dentsu Lab, Dentsu, Global

Direct
Gaëtan du Peloux, President and Chief Creative Officer, Marcel, France

Entertainment Lions
David Rolfe, Global Head of Production, WPP / Hogarth, Global

Entertainment Lions for Gaming
Sue Anderson, Vice President, Creative, Roblox, USA

Entertainment Lions for Music
Seiya Matsumiya, CEO and Co-Founder, Black Cat White Cat Music, Global

Film
Kate Stanners, Chairwoman and Global Chief Creative Officer, Saatchi & Saatchi, Global

Film Craft
Ali Ali, Co-Founder and Film Director, Good People Films, Egypt

Glass: The Lion for Change
KR Liu, Global Head of Disability Innovation, Google, Global

Health & Wellness
Eric Weisberg, Global Chief Creative Officer, Havas Health Network, Global

Industry Craft
Matthias Spaetgens, Chief Creative Officer, Scholz & Friends, Germany, Austria and Switzerland

Innovation
Courtney Brown Warren, Chief Marketing Officer, Kickstarter, Global

Luxury
Mathilde Delhoume Debreu, Global Brand Officer, LVMH, Global

Media
Dan Clays, CEO, Omnicom Media Group, EMEA

Outdoor
Keka Morelle, Chief Creative Officer LATAM, Ogilvy, LATAM

Pharma
Franklin Williams, EVP, Executive Experience Director, AREA 23, an IPG Health company, USA

PR
Tom Beckman, Global Chief Creative Officer, Weber Shandwick, Global

Print & Publishing
Icaro Doria, President and Chief Creative Officer, DM9, Brazil

Social & Creator
Beth Keamy, Chief Digital Officer, TBWA\Media Arts Lab, Global

Sustainable Development Goals
Josy Paul, Chairperson and Chief Creative Officer, BBDO, India

Dan Wieden Titanium Lions
Judy John, Global Chief Creative Officer, Edelman, Global

The Jury Presidents for the Design Lions and Entertainment Lions for Sport will be announced shortly.

Cannes Lions is now open for Awards submissions until 10 April 2025. The 72nd edition of the Festival takes place from 16 to 20 June in Cannes, France. Further information on the Awards, including entry kits, pass options, as well as the breadth of initiatives, funded opportunities and academies on offer, can be found at www.canneslions.com.

AAG Elects Council Members for 2024-2026 at 2024 Annual General Meeting (AGM)

The 33rd Annual General Meeting of the Advertising Association of Ghana (AAG) was held on November 27 at the British Council in Accra. One of the highlights of this year’s AGM was the election of new Council members to govern the affairs of AAG from 2024-2026.

The President (Andrew Ackah of Dentsu Ghana), Vice President (Clarence Amoatey of Touchpoint Magna Carta) and Treasurer (Russel Eni of Insel Communications) retained their positions. On the new Council, four (4) of the past Council Members have been replaced by four new Members in the persons of Beryl Agyekum-Ayaaba of EchoHouse, Russell Banful of Brandflow, Nii Darku Dodoo of Ogilvy Ghana and Emmanuel Lamptey of Media Initiative. The following Council Members were also retained for 2024-2026: Grace Adzo Andoh of Art Excel, Bright Ladzekpo of PHD Media, Mukaila Akuamoah of Advalue International, Kwaku Danso-Misa of Digicraft, Abdul Aziz-Amankwa of EXP Ghana and Joseph Ando of MMRS.